Remembering Reno: Reflections on the Making of Desert Hearts

And the Oscar Goes To...

Casablanca: An Unlikely Classic

Sunlight and Shadow: The Visual Style of 'L.A. Confidential'

Whatever You Desire: Making 'L.A. Confidential'

An Old Fashioned Love Story: Making 'The Bridges of Madison County'

Catch Me If You Can: Behind the Camera

Blue Collar

Deep Water

Wakefield

Rules Don't Apply

Last Days in the Desert

5 to 7

A Perfect Man

The Face of Love

How Do You Know

Peacock

The Happening

The Good Shepherd

Seabiscuit

Catch Me If You Can

Waking Up in Reno

The Sum of All Fears

Wonder Boys

Snow Falling on Cedars

Pleasantville

L.A. Confidential

The Rich Man's Wife

Primal Fear

The Bridges of Madison County

Losing Isaiah

Corrina, Corrina

The Wrong Man

The Vanishing

School Ties

Sibling Rivalry

White Palace

Music Box

Animal Behavior

Rooftops

Ironweed

Light of Day

The Big Easy

Desert Hearts

Maria's Lovers

Racing with the Moon

Love Letters

Tender Mercies

Cat People

Blow Out

Jeannine Claudia Oppewall (born November 28, 1946) is an American film art director. She has worked on more than 30 movies in such roles as production designer, set decorator and set designer, and has four Academy Award nominations for Best Art Direction for L.A. Confidential, Pleasantville, Seabiscuit and The Good Shepherd. Many of her film sets represented different time periods within the 20th century, including the 1930s (Seabiscuit), the 1950s (L.A. Confidential and Pleasantville), and from the 1960s (The Big Easy, The Bridges of Madison County and Catch Me If You Can).

