Xenolinguistics: Understanding 'Arrival'

Murder Mystery

Blade Runner 2049

Arrival

Sicario

Pawn Sacrifice

Enemy

Prisoners

Cirque du Soleil: Zed in Tokyo

Rise of the Planet of the Apes

Source Code

Percy Jackson & the Olympians: The Lightning Thief

Blindness

10,000 BC

Pathfinder

Night at the Museum

The Fountain

The Greatest Game Ever Played

Noel

The Day After Tomorrow

Shattered Glass

Confessions of a Dangerous Mind

Heist

The Audrey Hepburn Story

Waking the Dead

Grey Owl

The Red Violin

You Can Thank Me Later

The Education of Little Tree

Mother Night

Pretty Poison

Voices

Mrs. Parker and the Vicious Circle

Map of the Human Heart

Coyote

Black Robe

Day One

The Kiss

The Moderns

Nowhere to Hide

Miles to Go…

Children of a Lesser God

The Boy in Blue

Agnes of God

The Bay Boy

Scanners

Renée April  is a Canadian costume designer.
April is from Rivière-du-Loup, Quebec, and her workshop is in Montreal. She designed costumes for approximately 40 productions in Canadian television and film by 2012. She won the Genie Award for Best Costume Design for Grey Owl (1999), a Gemini Award for Million Dollar Babies and was nominated for the Satellite Award for Best Costume Design for The Red Violin (1998).
In her work, she cites influences in paintings and the environment, as well as books and catalogs for stories set in the past. She ran costume design for The Neverending Story at Muse Entertainment in Montreal.
She was featured in Musée de l'Amérique francophone in the exhibit De film en aiguille in 2012. April also contributed costumes for a Cirque du Soleil performance in Tokyo. For Blade Runner 2049 (2017), she designed costumes featuring inauthentic fur, painted cotton disguised as shearling, and breathing masks. She became a Member of the Order of Canada in 2019.

Renée April

Renée April

Acted in

Xenolinguistics: Understanding 'Arrival'