Reminiscências de um Projeto

Depois do Transe

Entranced Earth

Kobra Self-Portrait

O Pai da Rita

Sars-CoV-2: O Tempo da Pandemia

Photografaction

O Lodo

A Fera na Selva

Improvável Encontro

Chico: Brazilian Artist

Prova de Coragem

O Segredo dos Diamantes

Maria Bethânia: Carta de Amor Ao Vivo

Golden Oldies 2

Giovanni Improtta

Não Se Preocupe, Nada Vai Dar Certo!

Extreme Happiness

The Story of Me

Before and After S. Bernardo

Golden Oldies

Eles Não Usam Black-Tie - Conversando com o Elenco

Baptism of Blood

The Greatest Love of All

Irma Vap: O Retorno

Vinicius de Moraes

Acquária

The Xango from Baker Street

Maids

Foolish Heart

Critical Choices

Voices

Stuart Saves His Family

Amelia Earhart: The Final Flight

Dangerous Heart

Indecency

The Memory Thread

At Play in the Fields of the Lord

Better Days Ahead

Ironweed

Deus é um Fogo

Sonho Sem Fim

Love Me Forever or Never

Quilombo

Chico Antônio, o Herói com Caráter

They Don't Wear Black Tie

Act of Violence

Prova de Fogo

Bye Bye Brazil

Outlaw Love

Colonel Delmiro Gouveia

Morte e Vida Severina

Sea of Roses

Choque Cultural

Lucio Flavio

Dear Comrades

Libertários

King of the Night

Aukê

All Nudity Shall Be Punished

S. Bernardo

Padre Cícero

O Engenho

Jaramataia

A Familia do Barulho

Meu Nome é Gal

Viva Cariri

A Morte do Boi

Frei Damião: Trombeta dos Aflitos, Martelo dos Herejes

Os Imaginários

América do Sexo

Lauro Escorel Filho (born January 5, 1950), most known as Lauro Escorel, is an American-born Brazilian cinematographer and film director. He was born during his father, a Ministry of External Relations, stay in Washington, DC. He first worked as an assistant to Dib Lutfi and Affonso Beato, and made his debut in 1971 on Leon Hirszman's São Bernardo, which won Gramado Film Festival Best Cinematography Award. He directed the short film Libertários, winner of Margarida de Prata Award from the National Conference of Bishops of Brazil, in 1976. In 1978, he would win again the Gramado Film Festival Best Cinematography Award for his work on Héctor Babenco's Lúcio Flávio, o Passageiro da Agonia. His first feature film, Sonho sem Fim, won the Jury Special Award at the 1986 Gramado Film Festival. Ironweed (1987), another Babenco's film, would make him more known internationally.

Lauro Escorel

Lauro Escorel

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