Brocka x Bernal

Omens

Lino: His Art and Life

Signed: Lino Brocka

Beyond the Mainstream: A Salute to Philippine Independent Cinema

Visions Cinema: Film in the Philippines - A Report by Tony Rayns

Kasal?

Mortal

Manila... A Filipino Film

How Are The Kids?

Lucia

Huwag Mong Salingin ang Sugat Ko

Lampang Kerubin

Makiusap sa Diyos

Biktima ng Ligaw na Sandali

Spark in the Dark

Above Everything Else

Ama... Bakit Mo Ako Pinabayaan?

Biktima

All Be Damned

Dirty Affair

If Eternity Were Finished

Babangon Ako't Dudurugin Kita

Fight for Us

When Will Sin Be Washed Away?

Macho Dancer

God Is Still Asleep

Three Faces of Love

I Carry the World

Maging Akin Ka Lamang

Napakasakit, Kuya Eddie

Ano ang Kulay ng Mukha ng Diyos?

White Slavery

Miguelito

This Is My Country

Experience

Your Body Is Mine

Adultery

Hot Property

Strangers in Paradise

Cain & Abel

Mother Dear

Palipat-lipat, Papalit-palit

In This Corner

Caught in the Act

Dalaga si Misis, Binata si Mister

Hello, Young Lovers

Burgis

Kontrobersyal

Bona

Angela Markado

Nakaw na Pag-ibig

Ina Ka ng Anak Mo

Jaguar

Ina, Kapatid, Anak

Init

Rubia Servios

Hayop sa Hayop

Wake Up, Maruja

My Father, My Mother

Mananayaw

Inay

Tahan Na Empoy, Tahan

Insiang

Lunes, Martes, Miyerkules, Huwebes, Biyernes, Sabado, Linggo

Dung-Aw

Manila in the Claws of Light

Three, Two, One

Weighed But Found Wanting

Cherry Blossoms

Villa Miranda

Stardoom

Cadena de Amor

Lumuha Pati mga Anghel

Now!

Dipped in Gold

Santiago!

The Arizona Kid

Wanted: Perfect Mother

Catalino Ortiz Brocka (April 3, 1939 – May 22, 1991) was a Filipino film director. He is widely regarded as one of the most influential and significant filmmakers in the history of Philippine cinema. His filmography often addressed the country's societal issues, and despite his initial closeness with the Marcos family, his work eventually grew to have anti-authoritarian themes in opposition to the Marcos dictatorship.
He co-founded the organization Concerned Artists of the Philippines (CAP), dedicated to helping artists address issues confronting the country, and the Free the Artist Movement. He was a member of the Coalition for the Restoration of Democracy. 
He directed landmark films such as Tinimbang Ka Ngunit Kulang (1974), Manila in the Claws of Light (1975), Insiang (1976), Bayan Ko: Kapit sa Patalim (1984), and Orapronobis (1989). His body of work consisted of popular and political melodramas. After his death in a car accident in 1991, he was posthumously given the National Artist of the Philippines for Film award for "having made significant contributions to the development of Philippine arts." In 2018, Brocka was identified by the Human Rights Victims' Claims Board as a Motu Proprio human rights violations victim of the Martial Law Era.

Lino Brocka