My Wife, the Movie Star

Prinz Sami

Der papierene Peter

The White Roses

Pinkus's Shoe Palace

Little Angel

A Romany Spy

The Strange Bird

Kohlhiesel's Daughters

Sabine und die hundert Männer

Ja, ja, die Liebe in Tirol

Lux Video Theatre

It Started with Eve

West Point Widow

Broadway Serenade

A Desperate Adventure

One Hundred Men and a Girl

Broadway Gondolier

By Candlelight

My Lips Betray

Private Lives

Jenny Lind

Just a Gigolo

A Lady's Morals

The Lady of Scandal

Every woman's longing

Devil-May-Care

The Kiss

The Last of Mrs. Cheyney

Eternal Love

Betrayal

Wild Orchids

The Patriot

The Garden of Eden

The Duchess of Buffalo

So This Is Paris

Kiki

Her Sister from Paris

Kiss Me Again

Her Night of Romance

Three Women

Forbidden Paradise

All for Money

Rosita

Bohème

Die Flamme

Das Paradies im Schnee

The Loves of Pharaoh

Mad Love

The Wildcat

Arme Violetta

Anna Boleyn

Sumurun

Romeo and Juliet in the Snow

Hundemamachen

The Housing Shortage

Monika Vogelsang

The Doll

Die Fahrt ins Blaue

Madame DuBarry

Intoxication

The Oyster Princess

Das Caviar-Mäuschen

Meyer from Berlin

Carmen

The Yellow Ticket

The Eyes of the Mummy

I Don't Want to Be a Man

The Rosentopf Case

Verlorene Töchter

Der Prozeß Hauers

The Ballet Girl

A Trip on the Ice

Hanns Kräly (January 16, 1884 – November 11, 1950), credited in the United States as Hans Kraly, was a German actor and screenwriter. His main collaborations were with director Ernst Lubitsch, and they worked together on 30 films between 1915 and 1929. In 1930, their longstanding partnership and with that much of Kräly's reputable career as a screenwriter came to an end due to an affair he was having with Lubitsch's then-wife Helene Krauss. Kräly is also notable for his comedy play Kohlhiesel's Daughters which has been turned into films on a number of occasions.
Kräly was nominated for three Academy Awards for writing. He won the award for Best Writing with The Patriot in 1930. He was also nominated for the adapted screenplay of The Last of Mrs. Cheyney, also in 1930, and for Original Screenplay of One Hundred Men and a Girl in 1937. Additional screenwriting credits include Private Lives and Just a Gigolo, both released in 1931.

Hanns Kräly