Born in Rostock, Hoppe became a leading lady of stage and films in Germany. She was born into a wealthy landowning family and was initially privately educated on her father's private estate. Later she attended school in Berlin and in Weimar, where she began to attend theatre.[1]
Hoppe first performed at 17 as a member of Berlin's Deutsches Theater under director Max Reinhardt. In 1935 she was hired by the controversial German actor and Director of the Prussian State Theatre under the Third Reich, Gustav Gründgens. They were married from 1936-46, until their divorce. Speaking years after the marriage had ended Hoppe stated, "He was my love, but never my great love, that was work."[1]
One of the characters in the film Mephisto was reportedly based on her. Hoppe made no secret of her contacts with the Nazi elite in the 1930s/40s, including being invited to dinner by Hitler.[2] Her role in Der Schimmelreiter (The Rider of the White Horse, 1934) made her famous almost overnight, while her "Aryan" face made her a darling of the Nazi elite.[1] Later Hoppe would label this period of her life as "the black page in my golden book".[1]
During her time acting at the home of the Prussian State Theatre, the Schauspielhaus, Hoppe developed her analytical approach to acting, which she stated consisted in her "taking apart every sentence" and giving the use of language a brilliance. This method was to be associated with Hoppe throughout her working life.[1] In 1946 her only child, Benedikt Johann Percy Gründgens, was born.
Four years later after her divorce from Gründgens, Hoppe had a great success as Blanche Dubois in Tennessee Williams's A Streetcar Named Desire, and increasingly played avant-garde roles, written by authors such as Heiner Muller (Quartett, 1994) and Thomas Bernhard, who became her partner in private life as well. She became a favourite of the young and iconoclastic directors Claus Peymann, Robert Wilson and Frank Castorf.
Hoppe died in Siegsdorf, Bavaria, in 2002 from natural causes, aged 93. "German theater has lost its queen", said Claus Peymann of the Berliner Ensemble, whose theatre featured Hoppe's last performance, in Bertolt Brecht's Resistible Rise of Arturo Ui, in December 1997.[2] In one of her last interviews Hoppe stated, "I have a go at happiness every day. That takes discipline, a virtue every halfway decent actor should have."
2017
as Various Roles (archive footage)
2000
1991
as Maximiliane
1991
as Frau Weinstein
1989
1989
as Hedwig Schuster
1988
as Gräfin Hohenlohe
1988
as Thea Ammer
1987
as Herself
1986
as Claire Maetzig
1984
as Zweite Frau Professor
1983
as Marianne
1981
as Elisabeth v. Ardenne
1981
as Mutter
1979
as Self
1979
as Tante Doda
1977
as Johanna Martinek
1977
as Charlotte Steinburger
1975
as Mother
1975
as Tante Thea
1975
as Präsidentin
1970
as Zeugin
1969
as Johanna Blago
1969
as Lotte Boszilke
1969
as Amalie Schöndorf
1969
as Charlotte Echte
1969
as Mrs. Bryant
1968
as Herzogin von Gloster
1967
as Madame Brassac
1967
as Self
1967
as Selma Selig
1966
as Madame Hunter
1965
as Die Zeit
1965
as Augusta
1965
as Elsa Grohmann
1964
as Mrs. Brendel
1964
as Edna Selby
1964
as Patricia Taylor
1963
as Iokasta
1962
as Mrs. Butler
1962
as Henriette Flamm
1962
as Generalin
1961
as Mary Pinder, verw. Moron
1958
as Martha Krapp
1954
as Helga Dargatter
1951
as Self
1950
as die Frau
1949
as Irene Scholz
1948
as Johanna Stegen alias Luscha
1948
as Self
1945
as Lenore Carius
1944
as Julia Bach
1943
as Madeleine
1942
as Felicitas Iversen
1941
as Franziska Tiemann
1939
as Renate Brinkmann
1939
as Effi Briest
1937
as Gabriele Brodersen
1937
as Mabel Atkinson
1937
as Inken Peters
1936
as Hester
1936
as Marie
1935
as Regine Kessler
1935
as Käthe Liebenow
1935
as Maria Schönborn, Verkäuferin im Blumenhaus Floris
1935
as Hella Bergson
1934
as Johanna Luerssen
1934
as Anna
1934
as Elke Volkerts
1933
as Ursula Diewen
1933
as Josefa