¿Y ahora qué, señor fiscal?

El pasado te acusa

La estrella del rey

Tremolina

Dark River

Tico-Tico no Fubá

Me casé con una estrella

International Burlesque

The Yacht Isabel Arrived This Afternoon

Las aventuras de Jack

El hombre que amé

The Mystery of the Yellow Room

Corazón

Estrellita

Rosa de América

Donde mueren las palabras

No salgas esta noche

Becquer's Great Love

Savage Pampas

La dama duende

El fin de la noche

Nuestra Natacha

Casa de muñecas

Eclipse de sol

Casi un sueño

Los hijos artificiales

Ceniza al viento

En el viejo Buenos Aires

Adolescence

Persona honrada se necesita

Embrujo

White Eagle

El inglés de los güesos

Isabelita

Los muchachos se divierten

El solterón

Carnaval de antaño

Medio millón por una mujer

Alhambra

Caminito de Gloria

Así es la vida

Palabra de honor

La intrusa

Margarita, Armando y su padre

Senderos de fe

The Lower Depths

Guard! Alert!

Guernika

Who Loves Me?

Y, ahora, una de ladrones

The Daughter of Juan Simón

La bien pagada

Don Quintín, el amargao

Destino de mujer

La Dolorosa

Pacto con el Diablo (o el socio, Mr. Davis)

Las cuatro plumas

The Mountain Bandit

Sister San Sulpicio

Students and Seamstresses

José

Los claveles

José María Beltrán Ausejo (3 June 1898 - 22 January 1962) was a prolific Spanish cinematographer who worked in Spanish, Argentine, Venezuelan and Brazilian cinema. He was involved in the cinematography of almost 80 films between 1925 and his death, and is best known for his work in Argentina in the 1940s and early 1950s.
He worked with director Francisco Múgica on a number of Argentine films including the 1942 film Adolescencia'. His photography for the 1951 film La Balandra Isabel llegó esta tarde won him significant recognition in Europe and he won best photography at the Cannes Film Festival of that year. In 1952 he worked on one of the most acclaimed films of that year Las Aguas Bajan Turbias (1952) which won the Silver Condor Award for Best Film in 1953. He died in Zaragoza.

José María Beltrán

José María Beltrán

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¿Y ahora qué, señor fiscal?