Ennio

One-Tenth of a Millimeter Apart

In the Mood for Melville

The First Monday in May

The Road to "The Grandmaster"

A Special Day

Let the Wind Carry Me

In the Mood for Doyle

Hong Kong Stories

@In the Mood for Love

Cinema Lesson

Buenos Aires Zero Degree: The Making of 'Happy Together'

Chaos By Design

The Haunted Cop Shop II

Silent Romance

Golden Horse Awards

Long Time No See

人間繁花

Blossoms Shanghai

One for the Road

In the Mood for Love – Day One

Jinpa

Europe Raiders

See You Tomorrow

Xuan Zang

The Grandmaster

Touch of the Light

Déjà Vu

东邪西毒：终极版

Miao Miao

My Blueberry Nights

To Each His Own Cinema

There's Only One Sun

Eros

2046

The Hand

Sound of Colors

Chinese Odyssey 2002

The Follow

The Hire

Age of Bloom

In the Mood for Love

One Morning All Over the World

Motorola

First Love: The Litter on the Breeze

Happy Together

wkw/tk/1996@7'55''hk.net

Fallen Angels

Ashes of Time

Chungking Express

Oh! Yes Sir!!!

The Eagle Shooting Heroes

The King of Ads, Part 2

Saviour of the Soul

Days of Being Wild

Return Engagement

Walk on Fire

As Tears Go By

The Haunted Cop Shop

Flaming Brothers

Final Victory

The Final Test

Goodbye My Hero

Rosa

Sweet Surrender

Unforgettable Fantasy

Chase a Fortune

The Intellectual Trio

Just For Fun

Once Upon a Rainbow

無雙譜

The Star

刻氏兄弟綁架大劫案

Wong Kar-wai  (born 17 July 1958) is a Hong Kong film director, screenwriter, and producer. His films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours. A pivotal figure of Hong Kong cinema, Wong is considered a contemporary auteur, and ranks third on Sight & Sound's 2002 poll of the greatest filmmakers of the previous 25 years. His films frequently appear on best-of lists domestically and internationally.
Born in Shanghai, Wong emigrated to Hong Kong as a child with his family. He began a career as a screenwriter for soap operas before transitioning to directing with his debut, the crime drama As Tears Go By (1988). While As Tears Go By was fairly successful in Hong Kong, Wong moved away from the contemporary trend of crime and action movies to embark on more personal filmmaking styles. Days of Being Wild (1990), his first venture in such a direction, did not perform well at the box office. It however received critical acclaim, and won Best Film and Best Director at the 1991 Hong Kong Film Awards. His next film, Ashes of Time (1994), met with a mixed reception because of its vague plot and atypical take on the wuxia genre.
Exhausted by the time-consuming filming and post-production of Ashes of Time, Wong directed Chungking Express (1994), a smaller film that he hoped would rekindle his love of cinema during a two-month sabbatical while waiting for post-production equipment to arrive for Ashes of Time. The film, expressing a more lighthearted atmosphere, catapulted Wong to international prominence, and won Best Film and Best Director at the 1995 Hong Kong Film Awards. Wong followed up with the crime thriller Fallen Angels in 1995. Although it was initially tepidly received by critics, Fallen Angels has since come to be considered a cult classic of the Golden Age of Hong Kong cinema, being especially representative of Wong's style. Wong would go on to consolidate his worldwide reputation with the 1997 drama Happy Together, for which he won Best Director at the Cannes Film Festival.
The 2000 drama In the Mood for Love, revered for its lush visuals and subtle storytelling, concretely established Wong's trademark filmmaking styles. Among his other work are 2046 (2004) and The Grandmaster (2013), both of which received awards and nominations worldwide.

Wong Kar-Wai