Komeda, Komeda...

Komeda: A Soundtrack for a Life

The Ashes

Innocent Sorcerers

Good Bye, Till Tomorrow

Bad Luck

Jazz Talks

Kołysanka

Hands Up!

Riot

Rosemary's Baby

People Meet and Sweet Music Fills the Heart

The Fearless Vampire Killers

Cages

The Departure

Wicker Basket

Laterna Magica

Barrier

A Colorful Lie

Hunger

Cul-de-sac

Unloved

Ping-pong

Pearls and Ducats

Christmas Eve

Markiza de Pompadour

Roundabout

Bugler's Monologue

Penguin

The Cats

The Flag

Interrupted Flight

The Law and the Fist

The World's Most Beautiful Swindlers

Ubranie prawie nowe

Around the Platforms

The Criminal and the Lady

Teenager

Here Is My Home

Crash

Pistolet typu "Walter P-38"

Niezawodny sposób

Mammals

Mój stary

Nad wielką wodą

Opening Tomorrow

Knife in the Water

The Verdict

Ambulance

The Fat and the Lean

Glass Mountain

When Angels Fall

Two Men and a Wardrobe

Ant Trails

Professor Tutka Club

Krzysztof Trzciński (27 April 1931 – 23 April 1969), known professionally as Krzysztof Komeda, was a Polish film score composer and jazz pianist widely regarded as one of the most influential Polish jazz musicians. He is best known for writing the scores for Roman Polanski’s films Knife in the Water (1962), Cul-de-sac (1966), The Fearless Vampire Killers (1967), and Rosemary’s Baby (1968).
Komeda's album Astigmatic (1965) is often considered one of the most important European jazz albums. British critic Stuart Nicholson describes the album as "marking a shift away from the dominant American approach with the emergence of a specific European aesthetic." Komeda is also known for blending jazz with classical and traditional Polish music.