70 Years of Youth Revolt

Marcel Duchamp: The Art of the Possible

Rebel Women: The Great Art Fight Back

Carolee, Barbara and Gunvor

Valie Export - Icon and Rebel

Masculinity/Femininity

Emma's Dilemma

Sleepless Nights Stories

Maya Deren's Sink

!W.A.R.: !Women Art Revolution

Americana I Ching Apple Pie

Women of Vision

Birth of a Nation

Ask the Goddess

Home Movies 1971-81

Split Decision

ABC - We Print Anything - In the Cards

Up To and Including Her Limits

Plumb Line

Times For

Heads

Fuses

Grimace

No. 4

Meat Joy

Site

Cat's Cradle

Loving

Pinea Silva: Lost Meanings of the Christmas Tree

Mysteries of the Pussies

Infinity Kisses - The Movie

Devour

Vulva's School

Interior Scroll — The Cave

Four Recent Installations

Catscan

Art Is Reactionary

Fresh Blood

Souvenir of Lebanon

Kitch's Last Meal

Muñecos (Have a baby)

Illinois Central Transposed

Body Collage

Snows

Red News

Water Light/Water Needle (Lake Mah Wah, NJ)

Water Light/Water Needle (St. Mark's Church in the Bowery)

Viet Flakes

Carl Ruggles' Christmas Breakfast

Carolee Schneemann (October 12, 1939 – March 6, 2019) was an American visual experimental artist, known for her multi-media works on the body, narrative, sexuality and gender. She received a B.A. in poetry and philosophy from Bard College and a Master of Fine Arts from the University of Illinois. Originally a painter in the Abstract Expressionist tradition, Schneeman was uninterested in the masculine heroism of New York painters of the time and turned to performance-based work, primarily characterized by research into visual traditions, taboos, and the body of the individual in relation to social bodies. Although renowned for her work in performance and other media, Schneemann began her career as a painter, saying: "I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas." Her works have been shown at the Los Angeles Museum of Contemporary Art, the Museum of Modern Art in New York, the London National Film Theatre, and many other venues.

Schneemann taught at several universities, including the California Institute of the Arts, the School of the Art Institute of Chicago, Hunter College, Rutgers University, and SUNY New Paltz. She also published widely, producing works such as Cézanne, She Was a Great Painter (1976) and More than Meat Joy: Performance Works and Selected Writings (1979). Her works have been associated with a variety of art classifications, including Fluxus, Neo-Dada, performance art, the Beat Generation, and happenings.