The best italian film of the 90's, the most extreme and radical work since SALO', a ruthless representation, in a surreal-metaphorical key, of a civilization condemned to worshipping its own blindness. The two sicilian directors use a language free from compromise and from the traditional storyline rules: the movie is photographed in a sharp and very contrasting black & white, with no beautiful pimp music, and lacks a logical story. There are no women (the ones we see are actually men), and the language is strict sicilian dialect. The directing style is characterized by long fixed shots on a post-atomic world, which is really present-day Palermo, inhabited by fat people in socks and underwear who burp and fart while roaming around smelly alleyways and waste dumps.
as Zio di Brooklyn
as Don Masino
as Gaetano Gemelli
as Totò Gemelli
as Iachino Gemelli
as Ciccio Gemelli
as Sarino
as San Polifemo
as Il Mago Zoras
as Paliddu
as La Nana
as Madre del mago Zoras
as Cantante
as Vendicatore
as Custode cinema
as Cantante fallito
as Guardiano dei cani
as Guida
as Uomo che cerca Pedro
as Guardia di Don Masino
as Mariano u' 'ngrasciatu
as U' capitanu
as Primo prigioniero
as Secondo prigioniero
as Boss Nano
as Secondo Boss Nano
as Himself
as Bit Part